For me he is one of the most stunning architect/designers working with emergent biological systems. The images below are just a few random selections from his huge blog – one could literally spend days in there…

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http://www.theverymany.net/

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I have a new idol – incidentally yet another good thing thrown my way by Naxos Loon: Ben Lewis. I sort of knew of him before, but, thanks to the ape, the last few days I have been living and breathing Ben Lewis.

His documentary ‘The Great Contemporary Art Bubble’, which is how I had vaguely heard of him previously, is still outside my reach, outside of a tiny trailer on youtube that is. He is selling it on his website as a DVD and I will probably be trundling over there to order my copy as soon as I am done posting this. I have watched one of his Art Safari films just now, this one about Takashi Murakami.

Superflat? I’ll say it is… So, apparently, the Japanese became superflat because they got zapped by the A-bomb. That’s what they claim in there. What happened to the rest of humanity then, I wonder?

Nothing more to add. Ben Lewis speaks straight out of my heart!

Amazing! Also – and quite importantly: Despite a sparkling career he withdrew from the world of haute couture in 1980 to follow his own path, which seems to have included creating a foundation for the promotion of apparel-art as well as staging annual fashion-art shows in various locations around the world, in “any city that will welcome me” as he apparently says…

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Read more about Roberto Capucci here.

I am not sure if is at all OK for me to be putting this here. I should have asked for his permission before doing so, which I would do in a heartbeat, except I am so bloody shy about contacting him.

For me, this is the exact definition. Exact! Verbatim. Every syllable of every word! And then the way he sings it… So, I am going to risk the wrath of all the IPR Gods and even more importantly of Bob Dorough himself (as well as lyricist Fran Landesman), should they ever stumble upon it, and post this here nonetheless:

I am probably one of SL’s worst travelers. Stay at home, mind my own business – pretty much. Not that I am alone in this, I imagine: All hardcore builders are probably more or less the same way, in the end. Stay put, get on with your rezzing – till the cows come home…

So anyway, I had been seeing this background image on the Emerald viewer for the past few weeks and from the first time that I did so, it aroused my curiosity. And yesterday, on a total whim, I clicked the “visit this location” link and found myself in one of the most remarkable sims I have ever been at in Second Life to date: Xeniversity, the home sim of a Mr. Xenius Revere, who apparently uses the place to teach people Maya and SL lighting techniques and who also sells furniture, sculpty packs as well as a very nifty range of goggles. So, essentially this is a learning and commercial sim. But, important as function and usage may be to the design process, Xeniversity is a location which has surpassed it’s design brief and has evolved into something quite beyond that. Something downright awe inspiring, I would say.

This is the sort of visuality, construction, design system, architecture, art – call it by whatever name you will, that makes my heart skip. And one that I hardly ever see in Second Life – or First, for that matter… Sure, I see similar efforts that somehow never manage to deliver quite what Xeniversity does with such impact: Not only is it a complex, intricate and yet liquidly harmonious design system which Mr. Revere seems to have rezzed through the usage of hundreds of cubes; but it is also incredibly, beautifully, finely, masterfully crafted. And, for me, it is this attention to detail and craftsmanship which makes Xeniversity work where so many other “minimalistic” efforts  seem to be failing so miserably.

Glorious textures! Just glorious! Really I cannot think of a lesser word here so I am going to stick to it at the expense of sounding totally bombastic – they are that stunning! So, what’s so special about texturing a whole bunch of cubes with an almost solid fill, you may ask? Ah… But you see it is not just a solid fill! Mr. Revere has added very delicate, soft shadows behind every cube he has rezzed! Either these are part of the actual cube textures, in which case he would have had to place each and every cube in exact proximity to its shadow, or these are separate alpha enabled png or tga files, which have been mapped onto very thin prims and then placed behind the cubes. I did not do a ctrl+alt+T to see if this was in fact the case while there. Never even occurred to me even. I was much too engrossed in admiring my surroundings to have all my speculative faculties engaged. But, whatever the technique involved has been, what matters is the result: Depth! Light! Softness! The breaking down of the rigidity of the construct (it is all cubes – all of it!) into something which creates it’s own “flow”. Becomes “nature” even, I would say: Cubes that metamorphose themselves into a remarkably powerful topography and (in one instance, at least for me) also flora.

Only 2 colors are placed within a tonal range which travels from white to black, incorporating a series of gradations of gray. The first of these colors is a brilliant blue which is emitted from light sources which colorize their surroundings and then, secondly, there is a vitriolic green. And this green could have ended up being such a god awful blunder had it been in the hands of just about anyone but Mr. Revere’s? As it is, it stands apart on its own little islet, manifesting in a tonal range which is mapped onto a rectangular variation of the cube system of the main island. Which seems to cling to a huge tree almost like some strange minimalistic novel plant form. A cubic vine?

I could continue on and on and on here, but I am not going to. Instead I would very much like everyone who stumbles upon this post (and who hasn’t been there yet, obviously) to go and visit Xeniversity for themselves. This place is a must see for all people who cherish design and architecture, virtual or otherwise:
http://slurl.com/secondlife/Xeniversity/214/227/81

My hat goes off to Mr. Xenius Revere!

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Two little additions: One is that I could not help but think of Moshe Safdie’s Habitat project as I was gazing at Mr. Revere’s construct. Not that this matters all that much at all by the way. Things do not have to always remind us of other things and we should not be groping for these associations to validate output. In fact, if anything, it is an odious little habit to always be doing so. However, in this case, Xeniversity really does remind me of Habitat and the association is strong enough that I feel that I should probably say it.

Second: I would like to create a “Xeniversity” avatar as part of my output for alpha.tribe. The place has really inspired me and I am now obsessed with inner images of how I could translate the architecture there to create unique avatar apparel, which may or may not be thought of in conjunction with Xeniversity. I have to first consult with Mr. Revere to do this, of course. And I had not even heard of him or Xeniversity until yesterday. So, I really do not know this person and I have no idea what his reaction would be – possibly not favorable at all, is my guess… But, I think I will pluck up my courage and contact him and ask for his permission anyway. And maybe he might say “yes, go ahead”. Who knows?

Oh and also! Very important this last one: These have been photographed with a custom sky preset, Mescaline Tammas’ London 2050, to be specific. However, I should probably also have added an image captured with the default SL sky into this series. This is the only case which I think I have ever seen in SL where an entire sim’s architecture actually (almost!) works even under a midday SL sky! That is how good the building/texturing of it is!

I will be tackling my ultra fave panorama stitcher, my beloved cousin, friend and colleague Murat Germen eventually as a “good thing” in his own right – ergo, not just as a photographer but as an all around amazing human being. However today I want to talk about yet another panorama artist -  vitroid:

By his own definition Mr. Masakazu “Matto” Matsumoto, aka. vitroid, is:

A piper.
A maker.
A cyclist.
A sleeper.
A creater.
A creature.
A wanderer.
A dataminer.
A programmer.
A digital photographer.
And a (not deadly mad) scientist.

I spotted vitroid’s flickr photostream quite by accident as I was uploading one of my own meager efforts onto one of the many panorama pools over there. And I have been keeping him in my contact’s list, as a friend, ever since then, although I do not know this person in any life – second or first! I want to be aware whenever he posts something new you see… So here, without further ado, is some of his output – and the rest can be seen here on his flickr.

As seen above, nothing seems to escape Mr. Matsumoto’s gimlet eye: A boring flight on a Boeing brings forth the image directly above, a NY street turns itself into one of his “planets”, a train becomes a snail, the shadow cast by a doorway in a park some kind of a Miroesque slipper beastie and then finally (furthest above), a quasi-kitsch Leonardo pastiche sculpture becomes a remarkable study in perspective and split composition. A lot of humor, a lot of observational skill, a lot of power of associative thinking and imagination – really just a lot of overall “good stuff”.

And then less humorous and whimsical, but no less effective for the harmony and balance which they convey (and not to even mention the gorgeous sense of color that vitroid is obviously in possession of) are the ones above. I especially like the tiled carpet which vitroid captured at Tokyo airport, but the gothic high ceiling is no mean feat of visuality either.

A very “good thing” indeed is Mr. Matsumoto’s flickr stream!