Uncanny Valley graph
I am continuing to organize (and also re-write) the projects which are going to become a part of the practice portfolio of the PhD. The Uncanny Valley/Avatar was the first big self-observational thing which I did in SL, almost 4 years ago. For this I applied Masahiro Mori’s robotics theory from 1970 to avatar appearance. So, the graph above is an adaptation of Mori’s original graph. At the bottom are his examples and at the top are the corresponding ones which I came up with.
alpha.tribe tales
http://issuu.com/elifayiter/docs/alphatribe-tales
When I submit my dissertation I will also have to show creative output since mine is a practice based PhD. (And yes – unfortunately I blew the December 31 deadline, so the new one is now March 30…).
For the default documentation I will be handing in straightforward DVDs with images/videos inside folders so that the examiners can find the stuff easily. However I also want to make some other stuff – that I will actually enjoy putting together. One idea that I have is to make real, that is laser printed and bound, books out of material that goes together. I am thinking that I will make 3 of them and here is the first one:
Obviously alpha.tribe is a very large portion of the final chapter in which I talk about the actual stuff that I made for the practice part of the thesis. The first part of what I say about alpha.tribe concerns the actual “business” itself, how it all came about, the 5 alternative selves as independent fashion designers and so forth. And then a second part however are what (for lack of a better word) I am calling the alpha.tribe tales, which I concocted out of the outfits which were made for alpha.tribe. So, this book holds 4 of these tales – ‘the abject’, ‘the encounter’, ‘text’, and ‘uranometria’.
Aside from the fact that I like making them anyway, in this case I made the flipbook on issuu also to see how the whole thing works when it is actually put into a book format. This is the reason why there are page numbers on this, normally I would not be putting them into something like a virtual flipbook. And issuu is really great for testing purposes, I am sure editorial designers must be using it to no end to proof their publications. Used to be such a hassle before all this, basically the only way to do it back then was to construct a whole dummy book. Which was expensive and time consuming, of course.
Was Walt Disney a fascist?
The biggest evidence for people who say that he was is that he was a founding member of the Motion Picture Alliance for the Preservation of American Ideals, which was an anti-communist organization during the McCarthy years. And he also testified before the infamous Un-American Activities Committee. And yes – both of these are unnerving political standpoints, no question whatsoever.
However, the thing is that above all else Disney had a sense of humor. No, more than that – humor was his driving force, his raison d’etre. This, I would say, is something that not even his biggest enemies can argue against.
So… Can someone who has a sense of humor (and at his level – where humor becomes a world view) be a fascist in the fundamental sense of the term? Are humor and fascism mutually compatible even? Humor involves looking at the world sideways, bringing together disjointed things, absurdity, taking nothing at face value, fluidity of thought… Fascism is almost the exact opposite mindset. Isn’t it?
For me, when humor (with all of its attributes, and yes – that also includes things like cruelty, I’m afraid) is no longer acknowledged and celebrated as one of the highest (if not the highest) manifestations of the human mind – that is when the end is truly at hand. The time when fascism raises its truest, ugliest head. And, I have a horrible feeling that we are precisely at that juncture now…
…
4 days later: This seems to be a rather sought after subject! Although it has only been a few days since I made this post I am already getting search results which are related to it. So, I have become sort of fascinated and have been reading some more.
OK – apparently one of the other big gripes with Walt Disney is that he portrayed minority groups and Jews unfavorably. Now, here is my question: Was there any group that was always, consistently, portrayed favorably? Or even omitted altogether? Personally, I cannot think of a single race, denomination or social group (and not too many nations either, for that matter) that managed to escape the sharp end of his wit. Everyone got their comeuppance at one time or another. No one got off scot-free.
Probably the biggest villain of all Disney flicks: Cruella de Ville. Which ethnic/social group was she? Upper class British, if I am not mistaken… And what about Cinderella’s step mother and sisters? White, middle class European ladies par excellence… The herd of elephants in the Jungle Book? They are an unbelievably cruel parody on the upper echelons of the British army, aren’t they? And speaking of the Jungle Book, what about Shere Khan? Yet another upper class Brit, right? And conversely, who is the ultimate ‘cool guy’ of that movie? For me that would have to be ‘black’ panther Bagheera… But then, would people who manage to perceive in Dumbo’s crows a racist slur against African Americans see Bagheera in the way that I do? Rather unlikely…
I already wrote this before, and here it is again: Rather than single out any particular group to vent his animosity upon, my take on Walt Disney is that he did not like humanity much as a whole – period. Which, according to something that I have read just now may not be too far off the truth actually. Apparently Disney was known for his paranoia, including (and maybe even especially) towards the people who worked very closely with him in his own studio…
…
This post is getting to be quite long, but I simply cannot resist adding my latest findings on the subject:
Pinocchio! Wouldn’t you know it – that is an anti-feminist movie! Given that Pinocchio is created by Geppetto, who is of course a man, and therefore the tale bypasses the role of females as the givers of birth? My word – how unforgivably obtuse of me to have missed this horrifying insult to my own sex for all these years! (And of course that utterly irresponsible Carlo Collodi who wrote the story in 1883! The man has a lot to answer for!) But, how completely objectionable Disney’s adaptation of Pinocchio is doesn’t even end there! Guess what? The fox and the cat: Apparently they are gay! And therefore, needless to even say, extremely insulting to homosexuals!
And then ‘Lion King’! Made almost 30 years after Walt Disney died… It is a fascist film! Of course! (The fact that Lion King is based upon Hamlet seems to be quite irrelevant to its righteously indignant critics. Incidentally, I do not even like Lion King, but obviously for quite different reasons.)
So anyway, this dreadful man, Walt Disney, was actually evil enough to have gone and made a fascist film 30 years after he died! That’s how bad this whole thing is folks! Beware!
Honestly, I do not know whether to laugh or to cry…
The Wondrous Tales of Eupalinos Ugajin and Naxos Loon
The material of a recent talk which I gave at the CR12 conference in Lisbon:
http://www.alphaauer.com/papers/ayiter_Bisociative-Ludos.pdf (paper)
http://www.alphaauer.com/papers/presentations/ayiter-bisociative-ludos.ppt (presentation)
http://zappiens.pt/video.php?id=2185 (video of talk)
Note: Thanks to Eupalinos who has put the link of this post on his Flickr a lot of people seem to be watching the video which is linked above. So, a small disclaimer may be in order: At the end of the talk, as I am responding to one of the questions, what I mean by the “art crowd” are not indigenous metaverse artists, but instead RL artists who use the metaverse as a quick building platform without really establishing any sort of real connection to the place. This is actually already very obvious from what I am saying there, however I still wanted to clarify this even further on the slightest off chance that I am misunderstood…
:-)
elm tea… the gypsies swear by it!
I was looking for an episode from Fawlty Towers which I was telling my sister about earlier today when I came across this. The funny bit starts around minute 8 and is actually just a few lines. But those few lines are worth almost the entire series.
“entre loup et chien”
Abstract
This paper attempts to examine the workings of the unconscious, specifically in the sense in which it was defined by Sigmund Freud as the dream-work, the joke-work and the image-work. Freud’s findings and theories related to the unconscious image-work were put into practice by the surrealist artists of the early 20th century and may also come into play in contemporary computer based image creation, not only through the associative processes which are inherently embedded into the medium of hypertextuality, but also through the non-linear nature of the digital work environment itself, which provides the ability to traverse the creative journey backwards and forwards through commands such as undo, redo, copy, cut and paste which are brought about by the seeming indestructibility embedded into the very essence of its building blocks, the bits.
entre loup et chien
Words were originally magic, and the word retains much of its old magical power even to-day. With words one man can make another blessed, or drive him to despair; by words the teacher transfers his knowledge to the pupil; by words the speaker sweeps his audience with him and determines its judgments and decisions. Words call forth effects and are the universal means of influencing human beings. Therefore let us not underestimate the use of words… [1]
Sigmund Freud
1.1 Flashback: entre loup et chien
… Within clouds reminiscent of ancient seas
floated rocks, gnawed down with your blood.
What a pity! You vanished in great numbers as if coexistent with a time that never was. I bent and picked up the sky from the ground, the sky you had carelessly dropped.
Oktay Rifat [2]
He is my ageing uncle. We are sitting in the garden of his house by the Aegean sea. I am 19 years old, and as ever mesmerised by him. It is twilight hour in late August. We are surrounded by wide open, darkening summer skies, the blurring outlines of trees and shrubs and the far off sounds of encroaching night. And then he says: entre loup et chien… That is all he says and in that one sentence I know what I must do. I have just been given a mission: I must seek that creature, the one that stands between the day and night; neither wolf nor dog. I must seek it with images and not words, although maybe words as well, or words that transform into images, narrative condensed into image: The transformation of the dream thought by way of the dream work into the image work.
Categories
Output
Posts
- Uncanny Valley graph
- alpha.tribe tales
- Was Walt Disney a fascist?
- The Wondrous Tales of Eupalinos Ugajin and Naxos Loon
- elm tea… the gypsies swear by it!
- “entre loup et chien”
- Donald Kuspit
- my life…
- And then all the toys that I want to play with…
- The things that I want do, the things that I have to do and the things that I already took care of…
- the (not so) starving (new media) artist’s istanbul survival blog
- Disney’s humans…
- Walt Disney’s cats
- What is it that has made me into who I am?
- Adobe…
- Uranometria
- Audubon
- OCR
- Synchronicity (and other related terms)
- easy peasy design
- New Blogspot ROCKZ!
- Updated my bookmarks
- Nonsense Book #01
- A pretty big job
- foi
- virtual worlds/presence portals
- Avatar Appearance
- New website
- PDF readers – but nice ones!
- flip/chop
- issuu
- New interface for old website
- Plutchik’s wheel of emotions
- The Raft of the Medusa
- Making new things
- Always Already New/Presentation slides and a few other little things
- Uploaded all my papers
- Breathing some much needed new life into the old dog…



